Personal profile
About
Kristine Nielsen is an art historian of modern and contemporary art. She is Associate Professor of Art History and a Faculty Affiliate of the International & Global Studies Program. She was the Interim Director of the Joyce Eichorn Ames School of Art & Design, 2024-2025, and directed the International Humanities Program at Illinois Wesleyan University, 2021-2023.
Nielsen’s research encompasses two principal areas. Her first area of focus examines iconoclasm and public monuments in twentieth-century Germany, with particular emphasis on the political monuments of the former German Democratic Republic. Her second and more recent line of inquiry explores Nordic contemporary art and the historical dimensions of Nordic colonialism.
Prior to joining the faculty at Illinois Wesleyan University, Nielsen was an Andrew W. Mellon Postdoctoral Fellow in the Humanities through the Illinois Program for Research in the Humanities. She also held a joint appointment as Visiting Assistant Professor in the School of Art & Design and the Department of Germanic Languages and Literatures at the University of Illinois at Urbana-Champaign.
Her scholarly work has been supported by numerous prestigious fellowships and grants, including those from the Getty Research Institute, the Stone Summer Theory Institute, Knud Højgaards Fond, the University of Chicago’s Lipman Fellowship, Century Scholarship, University Grant, Harrison Doolittle Travel Fellowship, Humanities Division Travel Grant, the Kathleen J. Shelton Memorial Travel Fellowship, and the Visiting Committee on the Visual Arts Fellowship.
Related documents
Education/Academic qualification
Art History, PhD and MA, Thesis advisor: W.J.T. Mitchell, University of Chicago
Award Date: May 10 2010
Art History, Cand. mag. and BA, Thesis advisor: Hans Dam Christensen, University of Copenhagen
Award Date: Jun 1 2001
Research Interests
- Iconoclasm
- Public Monuments
- Postwar Germany
- Indigenous studies
- Contemporary art
- Modern art
- visual culture
- Nordic contemporary art
- Decolonialism
- GDR visual culture
- Sámi Contemporary Art
- Colonialism
- Global modernisms
- Transnational artists
- Iconology
- Historiography
- Idolatry
- Cold war
Disciplines
- History of Art, Architecture, and Archaeology
- Contemporary Art
- Modern Art and Architecture
- Theory and Criticism
- Visual Studies
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A Monument in Conflict: Transnational Resistance and the Politics of Commemoration in La Vaughn Belle and Jeanette Ehlers' I Am Queen Mary
Nielsen, K., 2026, In: ARTMargins. 15, 1, p. 6-27Research output: Journal Article › Article › peer-review
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Panel: "Images of Self and Other," Image, Text, Politics, A Regional Conference of the German Studies Association, Saint Louis Art Museum, St. Louis, and University of Missouri, Columbia, MO
Nielsen, K., Mar 14 2026.Research output: Conference Poster › Presentation › peer-review
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Fugitive Aesthetics in Sámi Artists Lena Stenberg’s Exhibition Borders and Pauliina Feodoroff’s Performance Matriarchy
Nielsen, K., 2025, In: Critical Arts. 39, 6, p. 64-76Research output: Journal Article › Article › peer-review
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Mapping Memories Anew in Liselotte Wajstedt’s Sámi Nieida Jojk
Nielsen, K., 2025, In: Konsthistorisk Tidskrift. 93, 3, p. 161-174 14 p.Research output: Journal Article › Article › peer-review
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Panel: Nordic Activism: Indigenous and Urban Concepts of Location, Society for the Advancement of Scandinavian Study Annual Conference, Minneapolis, MN
Nielsen, K., Apr 25 2025, (Unpublished).Research output: Conference Poster › Presentation