Abstract
Solo autoethnographic performance can be a valuable pathway for how theatre audiences see and listen with performers who are often attempting to challenge the audiences' ways of experiencing grief and loss. Yet, the power of dark emotions can be overwhelming for those audience members who are neither able nor willing to explore these emotions during the performance. In this chapter, I review the pitfalls encountered conducting audience research in solo autoethnographic performance piece , Blunt Force Trauma .
Original language | American English |
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Title of host publication | Impacting Theatre Audiences: Methods for Studying Change |
State | Published - 2022 |
Keywords
- Solo performance
- audience research
- autoethnography
- dark emotions
- empathy.
Disciplines
- Theater and Performance Studies
- Other Theater and Performance Studies
- Gender and Sexuality